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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/13805/full</value></field><field label="Registration Number" name="invno"><value>FAS/D/25</value></field><field label="Title" name="title"><value>Crowning with thorns</value></field><field label="Classification(s)" name="classifications"><value>Art / Drawings</value></field><field label="Period" name="period"><value>16th century</value></field><field label="Date" name="displayDate"><value>1570-1590</value></field><field label="Begin Date" name="beginDate"><value>1570</value></field><field label="End Date" name="endDate"><value>1590</value></field><field label="Primary Maker" name="primaryMaker"><value>Bartolomeo Passarotti</value></field><field label="Artist / Maker / Culture" name="people"><value>Bartolomeo Passarotti</value></field><field label="Width" name="width"><value>52.6000000000</value></field><field label="Description" name="description"><value>This drawing by the mannerist Bolognese artist Bartolomeo Passarotti depicts Christ being crowned with thorns and mocked. The composition is structured around six figures which fill up the drawing space, without any details suggesting the setting, making this scene reminiscent of a theatrical stage, specifically the Passion plays performed as part of religious processions during Holy Week. Christ is seated in the centre flanked by two figures, one on either side, affixing the crown of thorns on his head. To the right a kneeling figure mocks Christ, whilst to the far left two standing figures in oriental garments discuss the event. The composition is rendered quite energetically with quick pen strokes defining the bold gestural action of the figures, their bodies and faces bordering on the grottesque and denoting the influence of Northern mannerism.</value></field><field label="Height" name="height"><value>36.2000000000</value></field><field label="Provenance" name="provenance"><value>Acquired for the museum in 1933 from an unknown private collection in Malta. </value></field><field label="Dimensions" name="dimensions"><value>Support: 36.2 x 52.6 cm</value></field><field label="Museum" name="department"><value>MUŻA</value></field><field label="Location" name="locations"><value>Reserve Collection</value></field><field label="Alternate ID Numbers" name="altNums"><value>52498</value><value>1661-2</value><value>HMZA 00318</value></field><field label="Public Access" name="onview"><value>0</value></field><field label="Object Type" name="textEntriesObjecttype"><value>Drawing</value></field><field label="Published References" name="pubreferences"><value>M.A.R. (1933-34), p.xv, no. 31
Stefania Lumetta, 'Dessins acquis par Vincenzo Bonello en 1933-1934 pour le département des Arts graphiques du musée des Beaux-Arts de La Vallette, Malte', in Art Italies, n° 22, 2016, pp. 127-8
Stefania Lumetta, I Grandi Disegni del National Museum of Fine Arts di Valletta, Malta. L'Acquisizione di Vincenzo Bonello negli anni di curatela 1933-34, unpublished thesis, Facoltà di Lettere e Filosofia, Scuola di Specializzazione in Beni Storico Artistici, Università degli Studi di Genova, 2013; pp. 29-32.</value></field><field label="Node" name="node"><value>Heritage Malta</value></field><field label="Source ID" name="sourceId"><value>1322</value></field><field label="Material" name="textEntriesMaterial"><value>Pen and brown ink with wash over graphite on laid paper; laid down</value></field><field label="Technique" name="textEntriesTechnique"><value>Drawing</value></field><field label="Extent" name="textEntriesExtend"><value>1 sheet</value></field><field label="Place of Manufacture" name="textEntriesPlacemade"><value>Bologna, Italy</value></field></object>