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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/47084/full</value></field><field label="Registration Number" name="invno"><value>FAS/P/189</value></field><field label="Title" name="title"><value>Allegory of the Good Government of the City of Antwerp</value></field><field label="Alternate title" name="titles"><value>Allegory of Antwerp</value></field><field label="Classification(s)" name="classifications"><value>Art / Paintings</value></field><field label="Period" name="period"><value>17th century</value></field><field label="Date" name="displayDate"><value>1625-1669</value></field><field label="Begin Date" name="beginDate"><value>1625</value></field><field label="End Date" name="endDate"><value>1669</value></field><field label="Primary Maker" name="primaryMaker"><value>Theodoor Van Thulden</value></field><field label="Artist / Maker / Culture" name="people"><value>Theodoor Van Thulden</value></field><field label="Width" name="width"><value>383.0000000000</value><value>345.0000000000</value></field><field label="Description" name="description"><value>The largest canvas at MUŻA is this ‘Allegory of the Good Government of the City of Antwerp’ by the Flemish Baroque painter, Theodoor van Thulden. The attributes of mythological figures are ascribed in praise to the city of Antwerp. Fame sounds her trumpet while the Gorgon lies defeated at the feet of Chronos who personifies time. Demetre, goddess of agriculture and fertility, holding a Cornucopia of fruit and crops, is accompanied by Mercury, god of commerce. Amaltheia, with another Horn of Plenty overflowing with gold and riches, lifts the veil to reveal a personification of Antwerp in all her beauty and splendour. A river god, representing the waters of Antwerp’s large and busy harbour, observes the putti playing. A beautiful and noble peacock sits high on the rocks on the right. This painting is from Van Thulden’s middle period showing the impact of Peter Paul Rubens with whom he collaborated. It is possibly a commission from his time in Antwerp.</value></field><field label="Height" name="height"><value>305.0000000000</value><value>275.0000000000</value></field><field label="Provenance" name="provenance"><value>Donated by Mrs Salvina Zahra of New York in 1964.</value></field><field label="Dimensions" name="dimensions"><value>305 x 383 cm</value></field><field label="Museum" name="department"><value>MUŻA</value></field><field label="Location" name="locations"><value>MUŻA, Reserve Collection</value></field><field label="Alternate ID Numbers" name="altNums"><value>197-8</value><value>197-8</value><value>51201</value></field><field label="Public Access" name="onview"><value>1</value></field><field label="Object Type" name="textEntriesObjecttype"><value>Painting</value></field><field label="Node" name="node"><value>Heritage Malta</value></field><field label="Source ID" name="sourceId"><value>3668</value></field><field label="Material" name="textEntriesMaterial"><value>Oil on canvas</value></field><field label="Technique" name="textEntriesTechnique"><value>Oil on canvas</value></field></object>