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<objects xmlns:xs="//www.w3.org/2001/XMLSchema"><count>1</count><object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/34677/full</value></field><field label="Title" name="title"><value>Square Piano</value></field><field label="Date" name="displayDate"><value>Late 18th century</value></field><field label="Primary Maker" name="primaryMaker"><value>Christopher Ganer</value></field><field label="Registration Number" name="invno"><value>FAS/F/65</value></field><field label="Id" name="id"><value>504070</value></field><field label="Source ID" name="sourceId"><value>3693</value></field><field label="Description" name="description"><value>The main highlight of the Drawing Room display of the 19th-century galleries is the one and only musical instrument in the MUŻA collection. Known as a square piano, it is considered to be a transitional piece during the experimentation phase before the classical upright piano reached its fully-fledged stage in its development. Neo-classical in style, this instrument would have primarily been constructed by a furniture or cabinet maker, with its musical component consisting of a keyboard and a simple yet complex system of stretched horizontal strings, a sound board and a series of tiny tightly-knit hammers for its playability. As the sound that emerges from this square piano is low and soft, it was typically used only in domestic settings. Such a square piano as this one would have provided light entertainment for the family and during private party functions.</value></field></object></objects>