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<objects xmlns:xs="//www.w3.org/2001/XMLSchema"><count>1</count><object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/47084/full</value></field><field label="Title" name="title"><value>Allegory of the Good Government of the City of Antwerp</value></field><field label="Date" name="displayDate"><value>1625-1669</value></field><field label="Primary Maker" name="primaryMaker"><value>Theodoor Van Thulden</value></field><field label="Registration Number" name="invno"><value>FAS/P/189</value></field><field label="Id" name="id"><value>504063</value></field><field label="Source ID" name="sourceId"><value>3668</value></field><field label="Description" name="description"><value>The largest canvas at MUŻA is this ‘Allegory of the Good Government of the City of Antwerp’ by the Flemish Baroque painter, Theodoor van Thulden. The attributes of mythological figures are ascribed in praise to the city of Antwerp. Fame sounds her trumpet while the Gorgon lies defeated at the feet of Chronos who personifies time. Demetre, goddess of agriculture and fertility, holding a Cornucopia of fruit and crops, is accompanied by Mercury, god of commerce. Amaltheia, with another Horn of Plenty overflowing with gold and riches, lifts the veil to reveal a personification of Antwerp in all her beauty and splendour. A river god, representing the waters of Antwerp’s large and busy harbour, observes the putti playing. A beautiful and noble peacock sits high on the rocks on the right. This painting is from Van Thulden’s middle period showing the impact of Peter Paul Rubens with whom he collaborated. It is possibly a commission from his time in Antwerp.</value></field></object></objects>